Blue by Fire: A Marker of the Technical History of Glass and Ceramics

The use of natural mineral and synthetic blue pigments in antiquity for wall paintings and illuminated manuscript historiation evolved into the most suitable blue pigments for the decoration of glazed and enamelled wares (ceramics, glass and metal) which required a stability at the high temperatures...

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Bibliografske podrobnosti
Main Authors:	Edwards, Howell G. M. (Author), Colomban, Philippe (Author)
Korporativna značnica:	SpringerLink (Online service)
Format:	Elektronski eKnjiga
Jezik:	angleščina
Izdano:	Cham : Springer Nature Switzerland : Imprint: Springer, 2025.
Izdaja:	1st ed. 2025.
Serija:	Cultural Heritage Science,
Teme:	Spectrum analysis. Materials > Microscopy. Archaeology. Spectroscopy. Microscopy.
Online dostop:	https://doi.org/10.1007/978-3-031-77122-4
Oznake:	Označite Brez oznak, prvi označite!

Kazalo:

Chapter 1 : Introduction
Chapter 2 : Blue Minerals
Chapter 3 : Blue Pigments in Antiquity
Chapter 4 : Blue Pigments in the Renaissance and Afterwards
Chapter 5 : Analytical Methods
Chapter 6 : The Role of Analysis in the Holistic Provenancing of Ceramics
Chapter 7 : Egyptian Blue – the first synthetic blue pigment
Chapter 8 : The Cobalt Blues : Smalt , Cerulean Blue , Bristol Blue , Cobalt Blue
Chapter 9 : Lapis Lazuli in Glass and Enamels
Chapter 10 : Islamic Ceramics and Glass.-Chapter 11 : French Faience and Italian Majolica
Chapter 12 : European Glass Manufacture
Chapter 13 : Asian Stonewares and Porcelains
Chapter 14 : Delftwares and Kraak porcelains
Chapter 15 : European ( Continental) Porcelains
Chapter 16 : English , Welsh , Scottish and USA Porcelains
Chapter 17 : Summary and Conclusions.

Blue by Fire: A Marker of the Technical History of Glass and Ceramics

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