Physics and Mathematics in Musical Composition A Comparative Study /
How is music born? Is music made by humans or does it already exist and wait to be found? How do composers create (or find) music? Having these questions in mind the authors ask more questions: How can we share our feelings with other people when listening to music? Can these be visualized? Why did H...
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| Tác giả của công ty: | |
| Định dạng: | Điện tử eBook |
| Ngôn ngữ: | Tiếng Anh |
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Cham :
Springer Nature Switzerland : Imprint: Springer,
2025.
|
| Phiên bản: | 1st ed. 2025. |
| Những chủ đề: | |
| Truy cập trực tuyến: | https://doi.org/10.1007/978-3-031-80732-9 |
| Các nhãn: |
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| 245 | 1 | 0 | |a Physics and Mathematics in Musical Composition |h [electronic resource] : |b A Comparative Study / |c by Kinko Tsuji, Stefan C. Müller. |
| 250 | |a 1st ed. 2025. | ||
| 264 | 1 | |a Cham : |b Springer Nature Switzerland : |b Imprint: Springer, |c 2025. | |
| 300 | |a 1 online resource (XVII, 276 p. 254 illus.). |b 188 illus. in color. | ||
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| 505 | 0 | |a Part 1.How is Music Born? -- Chapter 1.Introduction -- Chapter 2.Intervals, Scales, Tuning and Harmonics -- Chapter 3.Acoustic Basis and Generation of Sound -- Chapter 4.Complexity and Dynamics in Phase Space -- Part 2.Journey across the World -- Chapter 5.Physical and Mathematical Aspects in European Music -- Chapter 6.Music in Other Cultures -- Part 3.Moving beyond -- Chapter 7.Why Do we Know that it is Mozart? -- Chapter 8.Ending without End. | |
| 520 | |a How is music born? Is music made by humans or does it already exist and wait to be found? How do composers create (or find) music? Having these questions in mind the authors ask more questions: How can we share our feelings with other people when listening to music? Can these be visualized? Why did Helmholtz have a problem with the third? Why is precise tuning so important in European music and less so in other cultures? What are the differences among the continents? What makes dissonant tone intervals uncomfortable in many cases? What enables us to distinguish the music of Mozart from that of Beethoven? Why are we fascinated by birdsong? Why does some music survive, whereas other just disappears? And finally, along which lines will music develop in the future? Drawing upon physics and mathematics, the authors search for answers to these questions and attempt to unravel in some depth the enigmas of how our minds are affected by the perception of music. | ||
| 532 | 8 | |a Accessibility summary: This PDF has been created in accordance with the PDF/UA-1 standard to enhance accessibility. It includes screen reader support, descriptions for Non-text content (such as images and graphs), bookmarks for easy navigation, keyboard-friendly links and forms, and searchable, selectable text. We recognise the importance of accessibility and welcome queries about accessibility for any of our products. If you have a question or an access need, please get in touch with us via https://www.springernature.com/gp/info/accessibility Please Note that a more accessible version of this eBook is available as an EPUB. | |
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| 532 | 8 | |a Publisher contact for further accessibility information: accessibilitysupport@springernature.com | |
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| 650 | 0 | |a Music |x Mathematics. | |
| 650 | 0 | |a Acoustics. | |
| 650 | 0 | |a Music theory. | |
| 650 | 1 | 4 | |a Mathematics in Music. |
| 650 | 2 | 4 | |a Acoustics. |
| 650 | 2 | 4 | |a Theory of Music. |
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